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Search resuls for: "Martha Graham"


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For Olga Pericet, flamenco is an invitation: to play and to explore the limits of her imagination onstage. Pericet, who comes from a family of flamenco dancers and teachers, has a deep respect for the traditions of the form. Over the years the Flamenco Festival, which arrives in New York each spring, has offered a window on its evolution. This year the festival has three dance programs at City Center, beginning March 8, each invoking a range of associations: to past dance forms, to flamenco auteurs, and to the central role of the flamenco guitar. Pericet’s “La Leona,” takes its inspiration from a 19th-century guitar prototype that produced the rich, resonant sound we now associate with flamenco music.
Persons: Olga Pericet, , , Pericet, Quentin Tarantino’s, Martha Graham, Pericet’s “ La Leona Organizations: Flamenco, City Center, Ballet Nacional Locations: Madrid, Roma, Spain, New York
Los Angeles Works to Build Its Dance Muscles
  + stars: | 2024-02-06 | by ( Robin Pogrebin | ) www.nytimes.com   time to read: +1 min
Los Angeles may not be thought of as a dance town, but it has a rich legacy. It was here, in 1915, that the modern dance pioneers Ruth St. Denis and her husband Ted Shawn, established the Denishawn school and company, shaping and showcasing the first generation of American modern dancers, including Martha Graham, Doris Humphrey and Charles Weidman. Lester Horton, one of the first choreographers to insist on a racially integrated company, established the Lester Horton Dance Theater here in 1946, a pioneering stage dedicated to modern dance. But for all the talent Los Angeles has attracted over the years, and its success in founding other performing arts institutions, the city has struggled to establish lasting dance companies able to attract and maintain audiences and patronage. It has also just entered an agreement with the Wallis Annenberg Center for the Performing Arts in Beverly Hills, a larger theater, to perform there.
Persons: Ruth St, Denis, Ted Shawn, Martha Graham, Doris Humphrey, Charles Weidman, Fred Astaire, Gene Kelly, Busby Berkeley, Hermes Pan, Jack Cole, George Balanchine, Lester Horton, Benjamin Millepied Organizations: Hollywood, Lester Horton Dance, New York City Ballet, Paris Opera Ballet, Wallis Annenberg Center, Performing Arts Locations: Angeles, Beverly Hills
ERRAND INTO THE MAZE: The Life and Works of Martha Graham, by Deborah Jowitt“Old age is a pain in the neck,” Martha Graham wrote in her 1991 memoir, “Blood Memory.” Death, though, has been good to her. Already in the 2020s there has been a book devoted to Graham’s Cold War activity and another (more sweeping) that a reviewer for The New York Times found fact-choked and unevenly paced. Deborah Jowitt’s “Errand Into the Maze: The Life and Works of Martha Graham” is, by contrast, a study in balance and grace. That girlish enthusiasm peeps through “Errand Into the Maze,” named for a 1947 work that premiered at the original Ziegfeld Theater. It is also Jowitt’s first book in almost 20 years, since a biography of another titan of the field, Jerome Robbins.
Persons: Martha Graham, Deborah Jowitt “, ” Martha Graham, Gordon Bunshaft, Agnes de Mille, Deborah Jowitt’s, Martha Graham ”, Jowitt, Graham’s, Louis Horst, , , Jerome Robbins, Graham, Horst, George Balanchine Organizations: New York Public Library, Performing Arts, The New York Times, The Village, Times, Cornish School Locations: Manhattan, ecstatically, Seattle
“Roy’s Joys,” set to recordings by Roy Eldridge, is abundant with layers of vernacular dance, ballet and modern — everything to grow a company of dancers, and grow they did under Battle. That mix of new and the unexpected old was also important in the bigger picture of dance — “Roy’s Joys” (1997) was granted a second, much-needed life at Ailey. Alvin Ailey studied with Martha Graham; Taylor was in her company. I’ll never forget the invigorating sight of Ailey dancers performing Taylor’s “Arden Court,” a bold, crisp example of showing them, as he said, in new ways. But Battle branched out, and as he dusted off the Ailey company, he led it into the 21st century with a public persona that was as fresh as his artistic agenda.
Persons: Lazarus, , Rennie Harris, Twyla Tharp, Roy Eldridge, Ailey, Carolyn Adams, Paul Taylor, Alvin Ailey, Martha Graham, Taylor, I’ll, Taylor’s “ Organizations: Ailey, Center Locations: Taylor’s “ Arden
“Let’s light it up!” the actress Jennifer Lawrence said on Monday night as she helped to reveal the holiday windows and kick off the annual lights show at Saks Fifth Avenue. As is tradition, onlookers crammed behind barricades near 50th Street as performers — in this case from the Martha Graham Dance Company — flooded Fifth Avenue. Behind them, nearly 300,000 lights illuminated what is described as a “wheel of fortune” installation, which covered 10 stories of the Saks Fifth Avenue New York flagship facade. Ms. Lawrence, a longtime Dior ambassador, gathered alongside other actresses, including Tracee Ellis Ross, Rachel Zegler, Ashley Park, Alexandra Daddario, Lola Tung and Maya Hawke. They packed onto bleachers across the street for the show, which included fireworks launched from the roof of the department store.
Persons: Jennifer Lawrence, Martha Graham, Dior, Christian Dior’s, Ms, Lawrence, Tracee Ellis Ross, Rachel Zegler, Ashley Park, Alexandra Daddario, Lola Tung, Maya Hawke Organizations: Saks Fifth, Martha Graham Dance Company, Saks, Avenue New Locations: Fifth, Avenue New York
Listening to his moans and wails, I realized that, excruciating as my previous night had been, I’d gotten off comparatively easy. Ava, in the waiting room, saw the man’s adult daughter helplessly listening to her father’s agonies, her head in her hands, her face gray. And it’s just around the time your senescent parents die, releasing you from your last grim filial duties, that you start noticing signs of your own incipient decline. The world is arranged to discreetly conceal this side of life from us — the messy, ragged back of the tapestry. Then I was released back into the “real” Paris — the public, lovely one.
Persons: , gurney, I’d, agonies, Ava, Carolyn —, , Martha Graham’s, Willem de Kooning, She’s, we’ve Organizations: Consulting Locations: Paris
The Sorcerer of Costumes
  + stars: | 2023-08-01 | by ( Rhonda Garelick | More About Rhonda Garelick | ) www.nytimes.com   time to read: +2 min
“My go-to look is Japanese, Comme des Garçons or Yohji Yamamoto,” she said. “African weaving tools,” she explained, “they have very strong energy.”Ms. Zakowska’s dedication to research was evident in the shelves lined with fashion history books and in the giant mood boards covered with vintage magazine clippings, fabric swatches and photographs. She has collaborated and toured with Roman Paska, the renowned puppet artist and director, whom she met in college and is her life partner. And she has worked steadily in theater and film, including many collaborations with John Turturro, her close friend and former Yale roommate. “Working with Donna always makes my performance better,” Mr. Turturro said.
Persons: , Yohji Yamamoto, , Ms, Zakowska, Barnard, Martha Graham, Alvin Ailey, Woody Allen, Roman Paska, John Turturro, Donna, Mr, Turturro Organizations: Beaux, Arts, Yale School of, Apple, Yale Locations: New York, Indonesia, Paris
A documentary, a coffee-table book, an international tour and an opera partnership will be some of the many homages to the Martha Graham Dance Company as it celebrates its 100th anniversary, starting this fall. In 1926, the pioneering choreographer Martha Graham, just 31, founded her dance company and school, while living and working out of a studio apartment in Midtown Manhattan. The company, America’s oldest dance troupe, has survived for nearly a century — a milestone it will commemorate with a three-season celebration, the company announced on Wednesday. “The company has been part of the American conversation for 100 years — we needed at least three seasons to dive in,” said Janet Eilber, the artistic director. “We want audiences to have new points of access to the classics of modern dance, so they can recognize it as something relevant to themselves and to our current times.”The lineup, which begins in September, will be broken into three parts, each with themes to “accentuate the eras that the company has been through,” Eilber said.
Persons: Martha Graham, , , Janet Eilber, ” Eilber Organizations: Martha Graham Dance Company Locations: Midtown Manhattan
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